A NOTE FROM OUR DIRECTOR
Don’t Tell Me I Can’t Fly is a story about a little girl navigating her way through a neurodiverse family while finding ways to still be a kid.
This iteration of Don’t Tell Me I Can’t Fly is near and dear to my heart as a neurodivergent person. I am just now, at my big age of 34, really getting a grasp on what it means to live with brain differences and what it means to encounter and care for others with brain differences.
I wonder who I would be today if I had encountered neurodivergence as a normal part of life in the form of entertainment as a child.
Telling a story about neurodivergence to children is a tall task. I wanted to ensure we were being respectful of the text while making it understandable by children. In directing this show, I desired to present this truth: sometimes we don’t get to choose our environment, but we always get to choose joy.
Set in the mid 1960s, Don’t Tell Me I Can’t Fly is written like a sitcom. The beats of heaviness are so eloquently balanced with light hearted and sometimes slap stick moments of comedy. The direction of this piece was inspired by all of the sitcoms I loved watching on Nickelodeon’s Nick at Night from the 50s, 60s and 70s like "I Dream Of Jeanie," "The Jefferson’s" and "The Brady Bunch."
I direct from a place of musicality, so I sound designed my own show. I was equally inspired by the music of the time. The sounds of Motown and the Carpenters are where the sound design meets in the middle.
I truly hope you all enjoy this version of Don’t Tell Me I Can’t Fly as filmed in front of a live studio audience. I hope you all laugh, cheer and sigh. I hope it is fun experience for all who come to see it. Most importantly I hope you leave this space a little more empathetic, understanding and seeking the joy that finds itself all around us.
~Aija Penix